Recorded on June 10, 1924, and released in October Having multiple of that year, this version is historic not only for its timing, produced shortly after the work’s premiere in February of that year, but also for its detail. While today’s audiences may not find it unusual, the phenomenon of a composer or musical artist performing their own work is rare in the history of human experience.
Until the late 19th century Having multiple
The only way to hear music was through a live buy sales lead performance. By 1924, it had become increasingly common to hear music through commercially available recordings.
When listening to Gershwin’s 1924 recording, listeners today have a direct auditory connection to the work’s beginning in 1924. This stands in stark contrast to classical works by composers such as Mozart, Beethoven, and Bach, who never had the opportunity to record their works. Our understanding of these compositions is shaped by interpretations that are decades or centuries removed from their original creation.
Yet Gershwin’s personal interpretation of his the night before he passed away work offers a unique connection to the moment of its creation, allowing us to hear the piano playing with the intensity that Gershwin intended, evoking a sense of proximity to a time long removed from the present moment.
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